Survivants

Three women padding in bare feet

around the wood floors of a cheery home

amidst the flat mud green

wasteland of Louisiana lawns.

Three generations, mother

daughter and grandmother

slit open wide with grief

and joy - finding comfort

in each other’s laughter during

this forbidden visit.

Now floating through ancient cypress trees

whose knobby knees kiss

a blue crack of sky, through winking

Spanish moss eyelashes -

our drifting boat rocks

daring sleepy-eyed alligators

to perform their favorite trick.

Displaced French tourists seek lunch

conversation, screeching RV wheels spin,

stuck in the swamp,

crunching apples, salty olives,

New Yorker crossword puzzle,

peanut butter and marmalade sighs.

A mockingbird pitches his song in oak

branches scratching puffy drifting clouds,

wet underbelly wind caressing my neck -

the patriarch now gone,

whispers of churning discontent

in sublime contentment.

published by: Atlantis Creative Magazine

Summer 2021

editor: Jenna Johnson

lust

they call you a red

bellied woodpecker, melanerpes

carolinus, zebra backed,

but it is a lie because the red

i see is your red head -

like the gore of holly berries mashed in the snow

as if the lifeblood were pouring from

your skull after a jealous blue jay lodged

a hatchet there.

year round you assault my feeder and i

shouldn't have favorites but

you are

despite the gaudy scarlet pajamas of

cardinals, or the soft

delicate fluffiness of the eastern

towhee or the cooing grey doves who try

to seduce me with their call but are too

meek to lay me out.

you with your sharp piercing

beak, stabbing the suet the way

you would skewer a lumbering stink

bug or sleeping spider

would be my mate.

when you hammer

acorns into the bark of the ancient maple out back

i swoon

and yearn to touch

the flames exploding from your warrior's

rat-tat-tattered brain.

published by: Wingless Dreamer

in their Fall Anthology 2021

editor: Ruchi Acharya

Dyslexia

social studies book in hand, first kid, first

then the next kid back, then the next behind

dreding reeding and re-reading, trying to

any flaws, it’s getting closr and closer to my

too fast, trying to nreathe, when the kid

bathroom, and i’m falling, faling,

to see or heer anything except my own

of turned heds, gawking to see the enormus

head.

published in Kakalak 2021

editor: Anne M. Kaylor

teacher at the board standing

row center starts with paragraf one

them, and i.m counting and sweeting

memorise my paragraphe without

turn, i’m squirming, hart beating

in front of me asks to go to the

falling down into darkness, unable

failure, and the resounding silence

DUNCE cap placed on my

Why We March

We are the soldiers.

We are the warriors of our own bodies,

fully capable and able to decide when

and if we will bring forth another life.

I first marched for this choice in Washington, DC

in 1983, then almost every year afterward

braving spit, insults, bodily harm - communing with

my sisters - to be heard, to be heard.

The most memorable moment took place on

a park bench just after the march in DC in 2003,

me in my forties, my tired bench mate in her sixties -

she rubbing her feet, me the instigator of chit chat.

Somehow a damn opens and the truth rushes forward.

She tells me she was raped and then pregnant at seventeen.

Her parents forced her to go to a Catholic home for girls

where she delivered a child who was whisked

away before she could hold it. At seventeen.

At seventeen, I had an abortion, in Austin, Texas.

I had the support of my mother, and a boy

who also had a head filled with dreams and ambition

for an adulthood just beginning. Just beginning.

She says she never married, never had children.

I tell her I have two young daughters,

and I worry for them.

She says she worries for all of us.

We hug, long and unabashed, two strangers

bonded for life. We turn and walk away

stronger for the intimacy, and I wonder

which woman has peace of mind, and untroubled sleep?

Neither of us.

Neither of us.

published by: In Parentheses Vol. 7, Oct. 2021

editor: Phillipe Chatelain